Leaf of the Tree

Finding the Divine in the Details


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The Source of all bestowals

Artwork: Julie Bond Genovese / Nothing Short of Joy

GLEANINGS FOUND HERE AND THERE:

We must not consider any soul as barren or deprived. Our duty lies in educating souls so that the Sun of the bestowals of God shall become resplendent in them, and this is possible through the power of the oneness of humanity.

The more love is expressed among mankind and the stronger the power of unity, the greater will be this reflection and revelation, for the greatest bestowal of God is love.

Love is the source of all the bestowals of God. Until love takes possession of the heart, no other divine bounty can be revealed in it.

 ~ Abdu’l-Baha, The Promulgation of Universal Peace Image: Kelly DuMar

The mind likes to feel that it knows, that it’s right, that what it has to say and feel is Truth–with a capital T.

But that’s not how the Soul works.

It comes to us in our deepest moments of silence.
Reflection, awareness — and the innermost awakening of self-realization.

These are moments where the mind dissolves.
And there is only presence.

~ Bairavee Balasubramaniam

Neither our violence nor our transcendence is a moral or ethical matter of religion, but rather an issue of biology. We actually contain a built-in ability to rise above restriction, incapacity, or limitation and, as a result of this ability, possess a vital adaptive spirit that we have not yet fully accessed. While this ability can lead us to transcendence, paradoxically it can lead also to violence; our longing for transcendence arises from our intuitive sensing of this adaptive potential and our violence arises from our failure to develop it.

~ Joseph Chilton Pearce, The Biology of Transcendence

When I pray, coincidences happen, and when I don’t, they don’t.

~ William Temple

 

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Taking a longer, deeper view

I’ve had the blessing this year of accompanying several thoughtful writers as they advance their book-writing process.

Each of their projects is soul-sized, and each is the unique distillation that only that particular writer could bring forth from experience, observation, inspiration, and the facets of creating that help bring a story to life.

My experience of living within the worlds in their pages has me reflecting once again on the power of expression in our world, the double-edged qualities of words and speech, the timeless gifts that good questions and good listening can bring us, and the potential of art to convey the wholeness of our experience.

As I do, I’m inspired by words like the following ones from writers with soul-sized perspectives.

In the company of focused writers in a workshop of the International Women’s Writing Guild (IWWG).

“Writing about one’s own or another’s life poses serious challenges. A writer trying to represent his life in a book engages himself in ongoing negotiations about what information to include and what to withhold, what he believes is true and what he wants readers to think is true,” says Helena Hjalmarsson.

“The need for synthesis–coherence, connections between past and present–is a constant struggle … ” Hjalmarsson notes.

“Often, the sense of life as a logical, purposeful unfolding becomes more important to the autobiographer than objective truth.

“Also vital to writers of autobiographies is the drive to make their work relevant and accessible to their readership–as well as a desire for connection, a social and spiritual need to ‘reincarnate,’ to have their hard-won perspective exist outside themselves.”

Courtesy Justice St. Rain

Jhumpa Lahiri writes, “It was not in my nature to be an assertive person. I was used to looking to others for guidance, for influence, sometimes for the most basic cues of life.

“And yet writing stories is one of the most assertive things a person can do. Fiction is an act of willfulness, a deliberate effort to reconceive, to rearrange, to reconstitute nothing short of reality itself.

“Even among the most reluctant and doubtful of writers, this willfulness must emerge. Being a writer means taking the leap from listening to saying, ‘Listen to me.’ ” Lahiri cuts right to the core of the matter, in this.

Author Elizabeth Sims shared timely words about this process in a blog post called “A Real Writer’s Duty”:

“These days when extraordinary, historic events occur, everybody becomes a writer. Social media enables all of us to spew impassioned opinions—joy, outrage, elation, despair—if we want to. And so many do. And free speech is great. 

“But a real writer of either fiction or nonfiction takes a much longer and deeper view of human affairs and human nature than most people.” (How I love this. Indeed, I live for it.)

“A real writer is more curious than defensive,” she continues.

“A real writer explores. A real writer is ready to be surprised. A real writer never panics. A real writer knows the world is in the work.”

 

Find Elizabeth’s Zestful Writing Blog here:

http://esimsauthor.blogspot.com/2016/11/a-real-writers-duty.html


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It’s always right now

Photo courtesy of Tamela Rich.

When the web site It’s Write Now ran a feature for my novel last week, I reconnected with the very enjoyable interview the site offered me last year.

In its timely way, my revisiting of those questions is helping me reflect on my current writing project, a sort of spiritual memoir, as I look back on the process of writing The Munich Girl.

It’s another powerful reminder that right now has what’s just right for right now. 🙂

 

The experiences of Germany through this period is really told through the characters that the readers meet during the book. How you breathe life into these characters?

Eva Braun, left, with her younger cousin, foreground, and friend, right.

The dynamic that each of the three women in the book experiences, of never feeling that she can be fully herself – of having to choose between things, based on others’ views of her — is conditioning that overshadowed my own life for a long time.

Today, I know that I experience my own power of choice more deeply as a result of the process of letting myself explore a potentially controversial or volatile subject like Hitler’s mistress in as neutral a way as possible, to see what sort of larger picture might emerge as this story unfolded for me.

You really are tackling a controversial or volatile subject in The Munich Girl. What did you want to give readers who were brave enough to explore this subject with you?

Initially, it was to give a glimpse into the experience of Germans during the war, and show how varied it was. Though they lived in a very dangerous place they could not necessarily escape, many Germans took risks to help and protect others, but many of these stories got lost once they were seen as part of the “losing enemy” country.

Within the first year of writing, I also began to accept that the goal, to the best of my ability, was to convey themes that the story was suggesting.

These include that any good we seek to do will always have an enduring effect, sometimes for successive generations.

Another is that it is our willingness to build what is good, together, that is the legacy of love that always outlasts war, destruction, and violence.

What are lessons you learned during this glimpse into wartime Germany that have endured in your mind?

One paradox that I think could tell us a lot about our present imbalances of inequality in our world is that the very sorts of caring, nurturing qualities that the Nazis sought to demean and suppress were exactly what Hitler came home to Eva Braun for.

With sister writer and International Women’s Writing Guild member Kelly DuMar at the IWWG’s summer conference.

One question for me is, when, and how, will we find the collective will to value and honor these qualities in both genders, and all situations? It is the devaluing of them that has allowed, and continues to allow, violence and atrocities like the Holocaust to happen.

I admire your desire to explore and present things like this paradox in terms that people can understand and learn from, but I am curious to find how working in this sensitive situation has impacted your writing. Do you feel energized or exhausted working to ensure that you present this period well?

Sometimes the struggle is in making peace with the inescapable fact that every writing work has its own timetable. It’s directly related to the one connected with my own development, and it’s wise not to try to force or speed that up. What never fails to delight me is that I’m always happy when I let myself be absorbed in a project that attracts me, and it’s something I can pursue anywhere I am in the world.

Find the rest of the interview at: https://itswritenow.com/84433/author-interview-with-phyllis-edgerly-ring-of-the-munich-girl/

Find The Munich Girl at: ‘The Munich Girl ( ASIN: B01AC4FHI8 )‘.

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May the flowers remind us …

GLEANINGS FOUND HERE AND THERE:

 

There is no need to choose between science and spirituality.

But there is certainly a need, as there has always been, to choose between materialism and spirituality.

~ Mario Beauregard

 

Times are difficult globally; awakening is no longer a luxury or an ideal. It’s becoming critical.

Photo: Lara Kearns

We don’t need to add more depression, more discouragement, or more anger to what’s already here.

It’s becoming essential that we learn how to relate sanely with difficult times.

The earth seems to be beseeching us to connect with joy and discover our innermost essence.

This is the best way that we can benefit others.

~ Pema Chödrön

 

Photo: Lara Kearns

Worry pretends to be necessary but serves no useful purpose.

~Eckhart Tolle

 

 

If we can stay true to the sacred substance and sacred meaning of the seed, it will help us to be a place of rebirth: a place where the inner and outer worlds meet, where real nourishment can once again be born and flower.

Working together with the Earth, with its wonder and mystery, we can help in its healing and regeneration.”

~ Llewellyn Vaughan-Lee


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Fence post: Now available on Audible

 

I am thrilled that my novel, Snow Fence Road, is now also available as an audio book on Audible, just in time for summer reading lists.

Narrator Sheri Beth Dusek has done a wonderful job of capturing the heart and spirit of the book.

To celebrate, the book’s Kindle version is discounted from May 18-25 — and the new audio book is there on the same page:

https://www.amazon.com/Snow-Fence-Road-Phyllis-Edgerly-ebook/dp/B00DDVB106/

I sketched down Snow Fence Road in my 30s after a vivid dream about the trauma that shatters its hero’s life, then spent the next 20 years writing nonfiction.

Finally I realized after half a century of life that what I want most is to explore the real power of relationships – their healing power. And if they are the gold on life’s path, fiction is all about them.

There are the relationships that the characters reveal to the writer, and the ones that writers and readers develop with them – and ourselves – as we connect with their story. Hearing that characters remain with readers like enduring friends is a wondrous gift. Yet the only reason this book exists is that the characters stayed with me for so long, and reflected to me what I was learning about giving and receiving love.

Once a rootless military kid, I find that place becomes a living part of story, for me. When readers say Snow Fence Road feels like an actual visit to Maine, I’m grateful because this place I love so much has always felt like a “fully-developed character”, to me. Small-town life there, as in the story, is human-scale. That’s the one that helps us learn the most about others, and ourselves, I think.

As it follows the developing relationship between Tess Johansen and hard-tested loner, Evan Marston, both ravaged by grief and gun-shy about love, this story is categorized as romance. But it probably seems a whole other country from what many perceive romantic fiction to be today. It’s a love story, and about relationship, but I’m always most interested in what transcends the impermanent, what helps hearts open, and heal, and reach the greatest potential for which they’re created.

Snow Fence Road aims at more emotional and spiritual themes because in the many wounded hearts I’ve encountered, no amount of physical love or attraction ever healed or helped them trust again, but real love did. Real, lasting love requires accepting, and sharing, vulnerability, which in itself can be a miraculous and eternal kind of beauty.

This story also explores the weight of secrets — why we keep them, when they drain our life away; when there isn’t even need to, though shame and guilt convince us otherwise. We learn to keep secrets to avoid vulnerability, then never get to know what real intimacy is.

While a lot of current writing may focus on pain and horror and give center stage to the fear these generate, I think there are higher, kinder, stronger visions to reach for. My goal is always to highlight the beauty and meaning that can exalt human lives.

When people ask me now, “Why do you write?” I may have finally found an answer, the same reason I get up each day: for the increase and advance of the one thing that lasts — the love that brings us home to our own hearts.

It’s a process that began one morning a long time ago when a dream’s sorrow lingered with me, and I began to love and listen to people I will never meet, but who became as real for me as the pages on which their story is printed now.

Find Snow Fence Road at: https://www.amazon.com/Snow-Fence-Road-Phyllis-Edgerly-ebook/dp/B00DDVB106/

A village on the coast of Maine holds painful secrets- the kind only the miracle of new love can heal.


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Synchronicity knows the desires of our heart

An experience with a review of my novel, The Munich Girl, reminded me, once again, of the beautiful synchronicity with which Life works — perhaps in spite of our “best planning” — and the delicious surprises that result. It was another sweet affirmation that the desires of our hearts aren’t lost, though the way in which they come into reality is often far beyond what we imagine.

When the novel’s print version came out, I hoped that the book might receive coverage at the Story Circle Book Reviews network, a very thoughtful place where readers connect.

I was grateful when they agreed to receive a copy for potential review, since the world of books has become, now, a seemingly infinite universe of them. 11800190_10155878221225385_4242285263363148219_n

I was advised that the book might or might not be requested. And, indeed, the available copy sat there, unrequested, over many long months.

Then reader (and fine writer) Margaret Dubay Mikus delivered the lovely surprise: she had read the book, shows real understanding of both the story and its themes, had been kind enough to write a wonderful review — and Story Circle Network had accepted and published it!

Margaret writes:

“The [Munich Girl] also looks at the role of women in different cultures and periods in a way that is quite relevant right now.65675077782_000161_2

“Do women choose to play the lead in their own lives or do they sacrifice themselves for others?

“Ring also leads us to ask what we know of our parents’ lives. How might their experiences or traumas be passed down to us? How open are we to the changes that can come from deep healing? EB pix Germany and more 672

“You will want to cheer for Anna as she is drawn into the discovery of her past, re-creating her present, releasing her to soar into a future of possibilities. Engrossing and engaging with surprises and plot twists. I wanted to keep reading to find out what happens next.”

Find Margaret’s full review at: http://www.storycirclebookreviews.org/reviews/munichgirl.shtml


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Finding a life between the lines

 

Following the trail of The Munich Girl

Seventy-four years ago this spring, Eva Braun’s world, and life, were coming to their end as Germany succumbed to defeat and ruin.

From a bunker under Berlin, she wrote her final letters, to her younger sister, Gretl, and longtime friend Herta Ostermayr Schneider.

She writes to Herta of preparing to die, and bewilderment at how things are ending, for Germany:

“Greetings to all my friends.

I’m dying as I have lived. It’s not difficult for me. You know that.”

Footage of Eva Braun with her childhood friend, Herta Ostermayr Schneider.

On this same day, she chose an action whose significance would only be revealed later, during the war crimes trials in Nuremberg. In testimony there during the Ministry Trials of 1948, a high-ranking German officer credited her with ensuring that one of Hitler’s last desperate orders had come to him, rather than to someone who would actually carry them out.

As a result, the lives of about 35,000 Allied prisoners of war were saved.

Among them were likely two relatives of mine, and a whole lot of those who were the loved ones of tens of thousands of people.

When writing fiction that includes elements of history, accuracy must always trump creative possibilities. It’s been suggested to me several times that Eva Braun’s “character” in the story might be conveyed through letters.

However, her very last letter, to her younger sister, Gretl, asked that most of her correspondence be destroyed, and the remaining small amount hidden. It has yet to surface, and those who’ve tried to track it down doubt it ever will.

So, any story true to Eva Braun’s consistently private personality must reference only the handful of pieces of her correspondence that are still in existence.

And seek, as so many stories do, to find the story of a life between the lines.

More about The Munich Girl: A Novel of the Legacies That Outlast War at: