Leaf of the Tree

Finding the Divine in the Details


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We meet what we are able to receive

You will write if you will write without thinking of the result in terms of a result,

but think of the writing in terms of discovery.

~ Gertrude Stein

I’m always searching for descriptions of what writing and creative process feel like in their essence, and haven’t found any that describe it better than Gertrude Stein does here.

She’s gone straight to the heart of what allows writing process to be a revelatory power, and a bestower.

The “price” for this is willing surrender into seeking and not knowing, rather than a holding to presumed knowledge of any kind. The fact that what she observes about the experience of writing also applies to that of living makes her simple truth seem even more sublime.

As she suggests, my experience of writing is of something to be approached on the only terms it truly allows – the terms of discovery. I know that I’m immersed back in that process when things begin to strike with notes my inner ear can hear, when my crown and scalp suddenly tingle.

Also, I simply feel good. If the pathway of shaping a novel taught me anything, it is that when I welcome a better-feeling inner emotional tone, it becomes a bridge to what inner life and intuition have to offer up to me. Before I reach that however, there’s the unavoidable surrender to that great blank that seems that it will never yield, no matter how I push on or try to break through it. And that is because I’m the one who’s meant to do the yielding.

This was reinforced for me one afternoon while I swam with a friend, and remembered that in order to even be able to do this, I must meet the water where it is. I don’t take hold of it or try to manage it, but rather I yield to and work with how it envelops and supports me.

Every aspect of the story in my novel, The Munich Girl, every theme, revelation, and scene, came to meet me in a similar way when I was ready to receive it, after I had immersed myself in its atmosphere and waited, listening, watching. Trusting.

Believing that I “know” anything about a story before it has fully shown itself is the only “writer’s block” I’ve ever placed in my own way.

Every story I’ve accompanied through to completion began with seeing or hearing something in the daily noise of life that stayed with me and took root inside, or was like a silent presence that followed me home. Just as with an animal for whom we would offer a home, it requires that a relationship of mutual trust be built.

Part of that trust for the soul who surrenders to creative process is that we will be met by what we are able to receive, and to integrate, on the deepest levels. A swimmer flailing in fear will not find herself very well supported by the water, even though its quality of buoyancy is always there. We learn to swim by learning to respect the qualities of the water, and shape our own ability to working with it. In a way, we become one with it.

Creative process, when met with regard and respect, brings a very similar kind of connection with our own wholeness, and that of the whole world.

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The weight of the secrets we carry

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Wassily Kandinsky, “Houses in Munich,” 1908

 

As I was setting up a book promotion recently, I noticed that the site already had a link to Barb Taub’s insightful review of The Munich Girl.

Once again, I thank her for the real service that this review continues to offer to my novel:

“With her book, The Munich Girl, author Phyllis Edgerly Ring points out that an entire nation can’t be understood or explained with one label.

‘She does this by examining the life of one almost-invisible woman: Eva Braun, the “Munich Girl’ who was Hitler’s mistress from the time the seventeen-year-old girl met the man over twenty years her senior until their wedding followed a day later by her suicide at his side when she was 33. image13_zps7eb8aca8

“Although The Munich Girl has the feel of a memoir, it is a historical fiction that tells the story of three women. We first meet Anna, an American woman married to history professor Lowell. Anna has grown up in a house full of secrets, one of which is her father Rod’s war-spoils portrait that has hung in their dining room all her life.

The second is her mother, Peggy, who has died just before the story begins. And of course, the third is Eva, and her doomed relationship with Adolf Hitler. As Anna is clearing out Peggy’s house, she comes across a manuscript that tells both Peggy’s story and that of her unlikely friend, Eva.

image-58034-galleryv9-bfrq-277x300“Anna’s story is told in alternating points of view. First we have her own experience as a child born in Germany at the end of the war, but raised in the United States. Having grown up feeling like an outsider and desperate to belong, she subverts her entire life into supporting her husband Lowell’s career and goals. When he orders her to work at an inherited family magazine that he thinks will help his career, she is at first reluctant but then captivated by her assignments, including Eva Braun’s story. But most of all she’s drawn to the magazine’s German-American editor, Hannes. But when Anna finds that her mother knew Eva Braun, and when she starts to suspect that Peggy’s secrets go beyond the portrait signed with Adolf Hitler’s initials, Anna’s interest becomes an obsession.

“This is an amazing story full of layers and meaning. The settings are beautifully detailed and seem both timeless and perfectly anchored in their little bubbles of time. But within those stories, author Phyllis Edgerly Ring has created three fully-realized women who are very different, but who manage to have so many themes in common. 12342460_10208150312625888_7743673090992892225_n

“One theme is the deals women make with themselves to allow others to achieve happiness or satisfaction, often by denying themselves those very things.

“Another theme is the secrets we keep from others and from ourselves. The one question that history demands of Germany—how could you follow a monster like Hitler?—is brought down to the personal level. Why would Eva remain with Hitler?”goodreads_icon_100x100-4a7d81b31d932cfc0be621ee15a14e70

 

Find the rest of Barb’s review at Goodreads: https://www.goodreads.com/review/show?id=1499833670


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Entering the soul of the matter

 

When you live at the periphery of your being, your thoughts are often scattered, pulling you in different directions, and draining your energy.

Too much mental activity leads to overload and, oftentimes, burnout.

When you take the time to ‘go within’ each day, by breathing deeply and fully, feeling the ‘space’ inside yourself, and witnessing your thoughts and emotions without judgment, you return to a very natural, deep sense of aliveness, which is actually your true nature; then your thoughts naturally slow down, and simultaneously gain more power and cohesiveness.

Photo: Nelson Ashberger

Think of the small, choppy waves that dance across the surface of the ocean; these represent your scattered thoughts.

Then visualize the huge waves that rise up from underneath, much like the giants the pro surfers ride. Note the difference in power.

~ Jaime Tanna

It [the struggle with evil] makes us strong, patient, helpful men and women. It lets us into the soul of things and teaches us that although the world is full of suffering, it is also full of the overcoming of it.

My optimism, then, does not rest on the absence of evil, but on a glad belief in the preponderance of good and a willing effort always to cooperate with the good, that it may prevail.

“Tree Hugger” by Tobey A. Ring

~ Helen Keller

Become subtle enough
To hear a tree breathe.

Succumb to warmth in the heart
Where divine fire glows.

~ John O’Donohue

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Rising from the heart

“Rising from the Heart” by Judy Wright

 

Stay ye entirely clear of this dark world’s concerns, and
become ye known by the attributes of those essences
that make their home in the Kingdom.

Then shall ye see how intense is the glory of the heavenly Day-Star, and
how blinding bright are the tokens of bounty coming out
of the invisible realm.

~ Selections from the Writings of Abdu’l-Baha

“Sacred Space” by Judy Wright

Be thou severed from this world, and reborn through the sweet scents of holiness that blow from the realm of the All-Highest.

Be thou a summoner to love, and be thou kind to all the human race.

Love thou the children of men and share in their sorrows. Be thou of those who foster peace. Offer thy friendship, be worthy of trust.

Be thou a balm to every sore, be thou a medicine for every ill. Bind thou the souls together.

~ Selections from the Writings of Abdu’l-Baha

The evidences of discord and malice are apparent everywhere, though all were made for harmony and union.

“Come Together as One” by Judy Wright

The Great Being saith: O well-beloved ones! The tabernacle of unity hath been raised; regard ye not one another as strangers. Ye are the fruits of one tree, and the leaves of one branch.

We cherish the hope that the light of justice may shine upon the world and sanctify it from tyranny. If the rulers and kings of the earth, the symbols of the power of God, exalted be His glory, arise and resolve to dedicate themselves to whatever will promote the highest interests of the whole of humanity, the reign of justice will assuredly be established amongst the children of men, and the effulgence of its light will envelop the whole earth.

~ Baha’u’llah, Tablets of Baha’u’llah


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BoomerCafé asks, “Why Eva Braun?”

I’m very grateful to author Eric Mondschein and BoomerCafé for featuring an author interview and post about my novel, The Munich Girl, this week.

Here are a few of their thoughtful questions, plus a link to the rest of the article:

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BC: What motivated you to write such a book?

PR: When I reconnected with Germany as an adult after living there in the early 1960s, I wanted to understand more about its experience during WWII. I returned home and was given a biography of Eva Braun written by British-German writer Angela Lambert.

In order to understand Germany and the war, I needed to read more about Hitler and the Third Reich and Eva Braun seemed a likely point of entry. What I never expected was the deeper topics and themes that would arise when I got that close to Hitler’s living room.

BC: What message are you trying to convey to readers?

PR: At least two.

One is that there is a reality that transcends appearances, and we miss a lot of the truth because we don’t investigate it more completely.

This is also a story about outlasting that chaos and confusion of war and destruction by valuing, and believing in, the ultimate triumph of all of the good that we are willing to contribute to building together. Many Germans did this, though until recently, their stories have remained unknown.

The novel is also about the eventual homecoming we must all make to our truest self, and the role that others often mysteriously play in that process.

12342460_10208150312625888_7743673090992892225_nRead the BoomerCafé article here:

https://www.boomercafe.com/2018/06/21/baby-boomer-author-unearths-world-war-ii-intrigue/

More about The Munich Girl: A Novel of the Legacies That Outlast War:

https://www.amazon.com/Munich-Girl-Novel-Legacies-Outlast-ebook/dp/B01AC4FHI8

 


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The gifts of listening, watching; waiting

Ten years ago, I made a bid on an eBay item that would change my life in ways I couldn’t have imagined at the time.

Something within me was strongly drawn to it, though I didn’t yet understand why. It was a portrait of Eva Braun drawn by an artist who never gained acclaim for his work — though his infamous name is branded on history forever. Eva Braun chose to die with him 73 years ago this spring.

That portrait is at the heart of everything that became a part of my latest novel’s story, set largely in the Germany of World War II.

The experience of writing The Munich Girl showed me that, rather than being something I “do”, writing is a process that acts upon me, strengthening my sense of connection with my own wholeness.

My responsibility, I feel, is to listen and watch, rather than impose ideas or plans of my own on what comes forth as a story.

Albert Einstein described the intuitive mind as “a sacred gift” and the rational mind as “a faithful servant.” We have, he said, “created a society that honors the servant, and has forgotten the gift.”

Creative process invites me to find a balance between that intuitive mind, which encounters the unlimited and the unknown, and my rational mind, whose tendency toward structure is what ensures that a story will be cohesive and accessible.

People often hurl themselves at creative process “head first” with the rational mind, trying to force or control things. My experience is that in creative process, intuitive mind is waiting for me to meet it, so that it can help me know and understand in new and wider ways.

Gertrude Stein expressed this beautifully: “You will write if you will write without thinking of the result in terms of a result, but think of the writing in terms of discovery.” She gets straight to the heart of what allows writing process to be a revelatory power, and a bestower, rather than a distraction or plaything.

The difference, for me, is a willing surrender into seeking and unknowing, rather than a presumed knowledge of any kind.

I know I’m immersed in that when things begin to strike with notes my inner ear can hear, when my crown and scalp suddenly tingle. But first, I must surrender to a great blankness that can seem as though it will never yield, no matter how I push or try to break through it.

And that is because I’m the one who’s meant to do the yielding, so that intuitive mind can impart its secrets to me.

This was reinforced for me one afternoon while I swam with a friend, and recognized that in order to swim, I must meet the water on its terms. I must yield to and merge with the way it envelops and supports me.

On the pathway that the portrait of Eva Braun opened before me, every aspect of the story in The Munich Girl, every theme, revelation, and scene, came to meet me in a similar way when I was ready to receive it, after I had immersed myself in its atmosphere and waited, listening, watching. Trusting.

Believing that I “know” anything about a story before it has fully shown itself is the only “writer’s block” I’ve ever created for myself. When I yield to and receive what intuitive mind wants to offer in the creative process, I am met by what I’m able to receive and integrate on the deepest levels.

I’ve come to believe that the rational mind serves best when it’s not trying to lead, or force, but to follow, when we’re seeking to discover what we don’t yet know. When we are willing to do that, the revelations that arrive via our intuitive mind will often surprise and delight us, both because they feel so inevitable, and also because they are beyond anything that rational mind, whose scope is confined only to previous experience, could imagine or predict.

The magic in the process is that when we open up to meeting the greater possibilities of what we don’t yet know, we’ll be repeatedly astonished that what comes to meet us is disarmingly precise, unfathomably generous, and remarkably right.

Find more about The Munich Girl at https://www.amazon.com/Munich-Girl-Novel-Legacies-Outlast/dp/0996546987 .


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Freeing our heart from the weighty world

Artwork: “Palm Canyon Pass” by Judy Wright

When the span between the trustworthy and the treacherous seems chasm-wide in the world of human doing, we can remember:

~ Nothing that exists remains in a state of repose. Everything is either growing or declining.

~ Kind forces are drawing us away from preoccupation with “fighting evil” toward creative, collaborative, and limitless building of the good.

~ We are here to mirror to each other the attributes of the Creator.

~ Every attribute and faculty we possess, known and unknown, comes into balance as we strive to align the acts of giving and receiving.

Artwork: “Parched” by Judy Wright

~ An eternal life begins when we begin to acquire what lasts forever.

~ The gift of this age, bestowed on all humanity, is the right each one of us has to investigate reality independently.

~ The natural outcome of that expresses itself in willing, joyful acts of service — the personal and collective pathway for building the good.

How am I honoring and expressing that potential on my path?

How will it free my heart from the weight of a world’s unreal illusions this week?

WTOEimage.phpAuthors Ron Tomanio, Diane Iverson and Phyllis Ring explore these themes in With Thine Own Eyes: Why Imitate the Past When We Can Investigate Reality?.

Find more about the book at:

http://www.amazon.com/With-Thine-Own-Eyes-Investigate-ebook/dp/B00I1JPC7I

Print version at: http://www.bahairesources.com/with-thine-own-eyes.html