Leaf of the Tree

Finding the Divine in the Details


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BoomerCafé asks, “Why Eva Braun?”

I’m very grateful to author Eric Mondschein and BoomerCafé for featuring an author interview and post about my novel, The Munich Girl, this week.

Here are a few of their thoughtful questions, plus a link to the rest of the article:

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BC: What motivated you to write such a book?

PR: When I reconnected with Germany as an adult after living there in the early 1960s, I wanted to understand more about its experience during WWII. I returned home and was given a biography of Eva Braun written by British-German writer Angela Lambert.

In order to understand Germany and the war, I needed to read more about Hitler and the Third Reich and Eva Braun seemed a likely point of entry. What I never expected was the deeper topics and themes that would arise when I got that close to Hitler’s living room.

BC: What message are you trying to convey to readers?

PR: At least two.

One is that there is a reality that transcends appearances, and we miss a lot of the truth because we don’t investigate it more completely.

This is also a story about outlasting that chaos and confusion of war and destruction by valuing, and believing in, the ultimate triumph of all of the good that we are willing to contribute to building together. Many Germans did this, though until recently, their stories have remained unknown.

The novel is also about the eventual homecoming we must all make to our truest self, and the role that others often mysteriously play in that process.

12342460_10208150312625888_7743673090992892225_nRead the BoomerCafé article here:

https://www.boomercafe.com/2018/06/21/baby-boomer-author-unearths-world-war-ii-intrigue/

More about The Munich Girl: A Novel of the Legacies That Outlast War:

https://www.amazon.com/Munich-Girl-Novel-Legacies-Outlast-ebook/dp/B01AC4FHI8

 

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The gifts of listening, watching; waiting

Ten years ago, I made a bid on an eBay item that would change my life in ways I couldn’t have imagined at the time.

Something within me was strongly drawn to it, though I didn’t yet understand why. It was a portrait of Eva Braun drawn by an artist who never gained acclaim for his work — though his infamous name is branded on history forever. Eva Braun chose to die with him 73 years ago this spring.

That portrait is at the heart of everything that became a part of my latest novel’s story, set largely in the Germany of World War II.

The experience of writing The Munich Girl showed me that, rather than being something I “do”, writing is a process that acts upon me, strengthening my sense of connection with my own wholeness.

My responsibility, I feel, is to listen and watch, rather than impose ideas or plans of my own on what comes forth as a story.

Albert Einstein described the intuitive mind as “a sacred gift” and the rational mind as “a faithful servant.” We have, he said, “created a society that honors the servant, and has forgotten the gift.”

Creative process invites me to find a balance between that intuitive mind, which encounters the unlimited and the unknown, and my rational mind, whose tendency toward structure is what ensures that a story will be cohesive and accessible.

People often hurl themselves at creative process “head first” with the rational mind, trying to force or control things. My experience is that in creative process, intuitive mind is waiting for me to meet it, so that it can help me know and understand in new and wider ways.

Gertrude Stein expressed this beautifully: “You will write if you will write without thinking of the result in terms of a result, but think of the writing in terms of discovery.” She gets straight to the heart of what allows writing process to be a revelatory power, and a bestower, rather than a distraction or plaything.

The difference, for me, is a willing surrender into seeking and unknowing, rather than a presumed knowledge of any kind.

I know I’m immersed in that when things begin to strike with notes my inner ear can hear, when my crown and scalp suddenly tingle. But first, I must surrender to a great blankness that can seem as though it will never yield, no matter how I push or try to break through it.

And that is because I’m the one who’s meant to do the yielding, so that intuitive mind can impart its secrets to me.

This was reinforced for me one afternoon while I swam with a friend, and recognized that in order to swim, I must meet the water on its terms. I must yield to and merge with the way it envelops and supports me.

On the pathway that the portrait of Eva Braun opened before me, every aspect of the story in The Munich Girl, every theme, revelation, and scene, came to meet me in a similar way when I was ready to receive it, after I had immersed myself in its atmosphere and waited, listening, watching. Trusting.

Believing that I “know” anything about a story before it has fully shown itself is the only “writer’s block” I’ve ever created for myself. When I yield to and receive what intuitive mind wants to offer in the creative process, I am met by what I’m able to receive and integrate on the deepest levels.

I’ve come to believe that the rational mind serves best when it’s not trying to lead, or force, but to follow, when we’re seeking to discover what we don’t yet know. When we are willing to do that, the revelations that arrive via our intuitive mind will often surprise and delight us, both because they feel so inevitable, and also because they are beyond anything that rational mind, whose scope is confined only to previous experience, could imagine or predict.

The magic in the process is that when we open up to meeting the greater possibilities of what we don’t yet know, we’ll be repeatedly astonished that what comes to meet us is disarmingly precise, unfathomably generous, and remarkably right.

Find more about The Munich Girl at https://www.amazon.com/Munich-Girl-Novel-Legacies-Outlast/dp/0996546987 .


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Freeing our heart from the weighty world

Artwork: “Palm Canyon Pass” by Judy Wright

When the span between the trustworthy and the treacherous seems chasm-wide in the world of human doing, we can remember:

~ Nothing that exists remains in a state of repose. Everything is either growing or declining.

~ Kind forces are drawing us away from preoccupation with “fighting evil” toward creative, collaborative, and limitless building of the good.

~ We are here to mirror to each other the attributes of the Creator.

~ Every attribute and faculty we possess, known and unknown, comes into balance as we strive to align the acts of giving and receiving.

Artwork: “Parched” by Judy Wright

~ An eternal life begins when we begin to acquire what lasts forever.

~ The gift of this age, bestowed on all humanity, is the right each one of us has to investigate reality independently.

~ The natural outcome of that expresses itself in willing, joyful acts of service — the personal and collective pathway for building the good.

How am I honoring and expressing that potential on my path?

How will it free my heart from the weight of a world’s unreal illusions this week?

WTOEimage.phpAuthors Ron Tomanio, Diane Iverson and Phyllis Ring explore these themes in With Thine Own Eyes: Why Imitate the Past When We Can Investigate Reality?.

Find more about the book at:

http://www.amazon.com/With-Thine-Own-Eyes-Investigate-ebook/dp/B00I1JPC7I

Print version at: http://www.bahairesources.com/with-thine-own-eyes.html


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The tabernacle of unity hath been raised

Image courtesy of artist Jeannie Hunt

 

The evidences of discord and malice are apparent everywhere, though all were made for harmony and union.

The Great Being saith: O well-beloved ones! The tabernacle of unity hath been raised; regard ye not one another as strangers. Ye are the fruits of one tree, and the leaves of one branch.

Artwork courtesy of Julie Bond Genovese.

We cherish the hope that the light of justice may shine upon the world and sanctify it from tyranny.

If the rulers and kings of the earth, the symbols of the power of God, exalted be His glory, arise and resolve to dedicate themselves to whatever will promote the highest interests of the whole of humanity, the reign of justice will assuredly be established amongst the children of men, and the effulgence of its light will envelop the whole earth.

~ Bahá’u’lláh, Tablets of Bahá’u’lláh

If we look reflectively upon the material world, we realize that all outer phenomena are dependent upon the sun. Without the sun the phenomenal world would be in a state of utter darkness and devoid of life. All earthly creation — whether mineral, vegetable, animal or human — is dependent upon the heat, light and splendor of the great central solar body for training and development. Were it not for the solar heat and sunlight, no minerals would have been formed, no vegetable, animal and human organisms would or could have become existent. It is clearly evident, therefore, that the sun is the source of life to all earthly and outer phenomena.

In the inner world, the world of the Kingdom, the Sun of Reality is the Trainer and Educator of minds, souls and spirits. Were it not for the effulgent rays of the Sun of Reality, they would be deprived of growth and development; nay, rather, they would be nonexistent. For just as the physical sun is the trainer of all outer and phenomenal forms of being through the radiation of its light and heat, so the radiation of the light and heat of the Sun of Reality gives growth, education and evolution to minds, souls and spirits toward the station of perfection.

~ Abdu’l-Bahá, The Promulgation of Universal Peace


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Women, war, and the secrets we keep

Reader and author Ginny Towler has given The Munich Girl the kind of insightful and engaged review at Goodreads a writer can only dream of.

Also, a Giveaway for print copies of The Munich Girl: A Novel of the Legacies That Outlast War is up at Goodreads through May 25 (link below).

Ginny’s kind words:

goodreads_icon_100x100-4a7d81b31d932cfc0be621ee15a14e70     “Phyllis Ring’s writing conjures up a different era, of a 1940s sensibility, where the less said, the more is explained. …

“… That I should feel any sympathy with a woman who was romantically involved with one of the most heinous human beings ever to be brought into this world is disturbing to me.

“Which is one of the reasons why this book is so important.

    “As someone who had loved film most of her life, I had wondered about Eva Braun’s importance to both German cinema and filmography, as I was aware that her films extolled Hitler’s iconography, as it were.

  “… Although the book is labeled fiction, truthfully, it’s hard to believe it is, as the details jump off the page. Phyllis appears to have traced the comings and goings of this enigmatic woman, who, was encamped in her various places of refuge, waiting for her man, Der Fuhrer, to return to her.

“And it is in this capacity that we understand her: a woman of her time period, who turned the other way while her man went off to war, doing these “manly,” but hopelessly imbecilic and crazy things. He would return to her periodically, every couple of weeks or months, while she waited for him, dutifully. Did she remain willfully blind, ignoring the atrocities that were being committed in the name of the Fatherland? Or was she too close to him to even know what he was doing, because when he returned to her, he was her lover, not her military commander?

    “Was the man who could butcher so many people the same man who could come home to her, and luxuriate in the arms of his beloved, exposing his vulnerabilities to her only? I’m not sure we’ll ever know, but there’s an inkling of what Eva probably felt during the years that she was with him (17 years, I seem to count). Was there any redeeming quality in her that makes her seem more human, and less a monster of historic proportions, in our hatred of all things Third Reich? You’ll have to read to find that out for yourself.

“Above all, this book is about women. About friendship. About the way we protect each others’ vulnerabilities. Of the secrets we keep. And about our loyalty to each other, though we carry out our daily lives supporting our men, as that’s what women did, especially back in the day.

“… The story is also a mystery, of the history behind a portrait that hangs in the home of an American woman of English and German descent. It is a story about longing to reconnect with our beloved deceased, of learning the things that our parents could not tell us for fear of destroying our own lives yet to be realized.

Phyllis has done a very brave thing, sharing a history with us that might be part of her own past, on some level. But the care that she took in making it plausible is also a gift to the reader. She dares look at the soul of the German during WWII, and the aftermath, in a reconciliation of sorts, that still hasn’t been accomplished beyond the Nuremberg Trials, except through the bravery of women like Phyllis who are willing to open the door a crack to give us an opportunity to ask questions, ponder, and reconcile our humanity with our inhumanity.

I’m sure I’ll read this book a second time. There are so many layers to it. I found it an irresistible and important read.”

                                                           ~ VL Towler, author, Severed

Goodreads Book Giveaway:

The Munich Girl by Phyllis Edgerly Ring

The Munich Girl

by Phyllis Edgerly Ring

Giveaway ends May 25  – 15 print copies available.

Enter here: https://www.goodreads.com/giveaway/show/275158-the-munich-girl


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The widest thing in the universe

 

GLEANINGS FOUND HERE AND THERE

A wee garden of Springtime ponderings:

 

Love makes your soul crawl out of its hiding place.

~ Zora Neale Hurston

Nature does nothing in vain. 

~ Aristotle

The widest thing in the universe is not space, it is the potential capacity of the human heart.

~ A.W. Tozer

The time of your transformation is at hand. It is always at hand. It is not a question of whether you “have what it takes,” but of whether you take what you have—and then use it.

Take the gifts you have—they are plenteous—and share them with all the world. Apply them to the challenge at hand. Use them and give them in your life as if there’s no tomorrow. Cultivate the desire to do this. If you have the desire, you will have what it takes—precisely because desire is what it takes.

~ Neale Donald Walsch

The work of the eyes is done. Go now and do the heart-work on the images imprisoned within you.

~ Rainer Maria Rilke


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The secret life of an ordinary Munich girl

“They called her ‘stupid cow’, though she was smart enough to capture the man she loved when everyone—he, most of all—said he’d never marry.

Considered insignificant by those around Hitler, she was one of the Third Reich’s best-kept secrets and filmed the private lives of many notorious Nazis.

Eva Braun paid a big price for the name ‘Hitler’. And in the end, it was hers only for a day, and now, no one ever calls her ‘Eva Hitler’.

Her life with the Führer mirrors Germany’s: He first seduced, then neglected and abandoned them. Finally, he led them into the jaws of destruction.”

EvaWith these words, Anna Dahlberg begins an exploration of Hitler’s infamous mistress and her friendship with Anna’s mother in my novel, The Munich Girl.

Seventy-three years ago this month, Eva Braun’s world, and life, were coming to their end as Germany succumbed to defeat and ruin. From a bunker under Berlin, she wrote her final letters, to her younger sister, Gretl, and longtime friend Herta Ostermayr Schneider.

She writes to Herta of preparing to die, and bewilderment at how things are ending, for Germany. “Greetings to all my friends. I’m dying as I have lived. It’s not difficult for me. You know that.”

On this same day, she chose an action whose significance would only be revealed later, during the war crimes trials in Nuremberg. In testimony there, a high-ranking German officer credited her with ensuring that one of Hitler’s last desperate orders had come to him, on April 22, rather than to someone who would actually carry them out.

As a result, the lives of about 35,000 Allied prisoners of war were saved. Among them were likely two relatives of mine, and a whole lot of those who were the loved ones of tens of thousands of people.

When writing fiction that includes elements of history, accuracy must always trump creative possibilities. It’s been suggested to me several times that Eva Braun’s “character” in the story might be conveyed through letters. However, her very last letter, to her younger sister, Gretl, asked that most of her correspondence be destroyed, and the remaining small amount hidden. It has yet to surface, and those who’ve tried to track it down doubt it ever will.

So, any story true to Eva Braun’s consistently private personality must reference only the handful of pieces of her correspondence that are still in existence.

And seek, as so many stories do, to find the story of a life between the lines.

Book clubs and groups who are interested in adding The Munich Girl to their schedule are welcome to inquire about discounts on book pricing.

I also love visiting with book groups via skype or, where possible, in person.

Learn more by emailing info@phyllisring.com.

More about The Munich Girl: A Novel of the Legacies That Outlast War at:

http://www.amazon.com/Munich-Girl-Novel-Legacies-Outlast/dp/0996546987/